These are dense, profound works that inhabit the tradition of the grand contemporary Painting, above all German. There seacks the artist not the theme, nor the inspiration, but there she recognises the mastery, the example. It handles of the gesture of choosing a Master and that is, as Nietzsche said, a great sign of the umbleness of spirit. And this caracteristic is present in the subtil and silent way in which these paintings impose themselves to the gaze and the inteligence, when together, in a flight with uncertain destiny, they try to find the adequate image to a concept, to a word, to a gesture.

Nuno Crespo in “Público”